A song that makes you want to fall in love –
Sexy AF! Jim. This song…
A song that makes you want to fall in love –
A song that makes you want to fall in love –
Sexy AF! Jim. This song…
Having listened to the Kyle Meredith interview with Jim…I need to repost this. Goddamn you WordPress! Why do you only allow a single reblog of a post?! Because I already reblogged this lalte last year, I can’t reblogged it again to show up in that way…
So here is a link to my thoughts on Our Secrets Are The Same – just to say – I’m with Kyle!
In Praise Of “Our Secrets Are The Same”.
And, yes, Jim, I know you rerecorded Jeweller and Space and Swimming Towards The Sun…BUT THEY DIDN’T NEED IT! Well…okay…I do like the ending of the re-record of Space, I’ll give you that…BUT I STAND BY MY WORDS! Yeah, hate me, whatever. I’m just saying. It’s a positive, not a negative. I am giving you praise…and, you know, you could lay off the perfectionist thing a little! It obviously felt right the first time, the things on OSATS, that’s telling you something! (Says the woman who can rework and rework and rework designs until she’s blue in the face. I like hypocricy. Lol)
The main point is…OSATS is a fucking awesome album AND NEEDS TO BE ON VINYL, PLEASE?!!!
Damn you, Kyle! Lol
Oh well, you’ll do a much better job than I ever could anyways. Best to leave it to the pros, hah?
Anyway, I’m off to listen to it. Was too excited to share it first before even listening to it.
A rare beast in the Simple Minds canon, in that there is almost no musical intro before Jim starts to sing. (As far as the version on Our Secrets Are The Same goes. More on that later…)
“I’ll hurt you if you say I did”. (ie: if you wish it to be, it’ll come to fruition.) It’s not a threat…but a statement. You almost need to read the sentence backwards. If you believe I’ve hurt you, then I have…as far as you are concerned.
“Imagination wears you out. Crying brings you down again.
The dream is over,
The feeling’s gone.
And we were something you were dreaming all along.”
This part of the song always speaks to me on a personal level. I always feel it when….I feel that my “time in the sun” is gone. That Jim is…no longer interested. That I have pushed things too far. Made myself far too emotionally attached, etc, etc. These lines are what will play.
Space feels really personal because of it.
This “why I love” will be stupid, personal, oversharing as a result. This song…breaks my heart, but I love it too.
The past three years of my “uber” fandom has been such a whirlwind. And it *is* like one massive rollercoaster. Loads of highs and some lows. I could…go through it all…but, well, just take a look at this blog. It explains it all.
And so when the Minds fandom rollercoaster is on a low (like about now), when I feel “the dream is over” and “the feeling’s gone”. When I feel I need to brace myself to be “dumped”. When the emotional investment is too high. When the stick dangling that carrot gets pulled away from me with short shrift…this is when this song has its potency and poignancy.
It’s the lines aforementioned that make me feel all…melancholy. “Oh, this time I’ve done it! I’ve hacked him off. I’m sharing too much of the art. Of myself. If I piss him off, I wish he’d just tell me to fuck off instead of being quiet!” The silence kills.
And then…it comes back again. He’ll interact with me. Reply to a comment with a big old blurb. Suddenly, randomly share a piece of art.
And then the last verse is there in the mind.
“The dream is over, party’s over,
I’m still waiting, nothing falling.
No confusion, no suspicion,
If you’re talking, I will listen.”
And the ever hopeful chorus…just like that little child’s nursery rhyme…
“Star light, star bright,
I’m the star you see tonight.
And I wish I may, I wish I might,
Be in your dreams tonight.”
And so do I, Jim. So do I. Nearly every single night I fall asleep…when sleep actually takes hold. Except, I hardly ever dream of the ones I…love. (See? What did I say about oversharing?!)
Charlie’s guitar (unless I am mistaken and it is Gordy playing? He once told me that one riff I really loved that I assumed was Charlie’s, was in actual fact Gordy Goudie’s) is just SSOO bittersweet. Along with my favourite of This Earth That You Walk Upon, I find a proper “weeping” guitar moment. Just…yearning, and beautiful.
There are two versions to Space. The original studio recording done for Our Secrets Are The Same, and a re-recording placed on the Celebrate compilation. I love both versions equally. There’s an extra vulnerability with the first version…as well as the way Jim’s voice has been distorted. The latter version, I love the protracted ending, with the vocal repetition of “be in your dreams tonight”….it seems like it’ll never end…yet it does, rather suddenly too! The latter version has much more of the lullaby quality to it.
The vulnerability is in the rawness of the former….the sensibility of the latter is in its subtlety. It’s much sweeter, musically.
As with just about every Simple Minds song I can think of, there is ultimately a hope.
Mine is…never to stuff up. Never to fall “out of favour”. Never to feel that “the dream is over” and that “the feeling’s gone”. And that Jim will wish to be in my dreams, because I wish him to be in my dreams…always.
And that is why I love…Space.
Enjoy the latter Celebrate compilation version.
Of the more “modern” Simple Minds albums, this one really does come around for regular play from me.
I get something from EVERY track on this album. The beauty I find most beguiling with Simple Minds is this ability to shine a light out from the darkness. They are not afraid to step into the dark, because, as I say, they can shoot beams of light from it.
The album’s opening track, Swimming Towards The Sun, is a prime example. “And it would be easy to become somebody else / but at this particular point in time I’ll hang on to myself” – I’d like to think that’s a little Bowie nod there from Mr Kevin Hunter (Hang On To Yourself being a track on The Rise And Fall of Ziggy Stardust and the Spiders From Mars). Heavy, moody, but shines a light “I, I, I, I, I’m swimming towards the sun / and I, I, I, I, I’m not the only one”. I can see why the guys wanted it.
Jeweller To The Stars – more glimmering light. Wonderfully cosmic. Lovely guitar work from Charlie. Would love to know what that advert Jim saw looked like…if it gave him inspiration to write a song! Blooming heck…wish I could do that (be an artistic inspiration for a song, I mean)! I don’t care if the inspiration derives from Jim thinking it was “ridiculous”!
Space – every time I feel I have “done my dash” with Sir…that I’ve pissed him off…he’s bored of me…that I am ready for the Kerr “scrap heap” (how I’ve not actually been put there yet, who knows? Maybe it is now time? It feels as such) … this is the song I reach for. All the lines resonate when I feel that way…
“I’ll hurt you if you say I will / take you down when you’re alone
Imagination wears you out / crying brings you down again
The dream is over / the feeling’s gone
And we were something / you were dreaming all along
Has anybody cut you? / Has anybody let you down?
You’re praying for someone to lay beside you now
You were saying that where you’d take me / and that’s where I’d be found
But you were sleeping, talking, dreaming / whispered “take me now”
The dream is over / party’s over
I’m still waiting / nothing falling
No confusion / no suspicion
If you’re talking / I will listen”
This last verse the most. These last lines especially. There’s an understanding in those lines. And it is what I always hope for. Probably too personal for me to share it here but…sometimes you just need to be heard.
And that chorus is so beautiful…playing on that child’s lullaby…
“Star light, star bright / I’m the star you tonight
And I wish I may / I wish I might
Be in your dreams tonight”
When Jim sings the line “catch me in a dream” in Glittering Prize…for me it’s an optimistic wish/hope/expression – as if to say “If you’re a VERY lucky girl, you might dream about me one night” – whereas with Space, it sounds almost apologetic, regretful, yearning – “Hey girl, I know you’re hurting and I’m sorry. Perhaps I’ll appear in your dreams tonight to comfort you?”
That’s how I interpret it anyway…and how I take comfort from it.
Yes, I know. I am a silly girl.
But I’m a real person with feelings, a heart and a soul. It’s a beautiful song and I love it.
Death By Chocolate – well, Jim got me reading The Sailor Who Fell From Grace With The Sea due to the Mishima reference. And it’s a fabulous book. And a fabulous song. Another set of lines from this song has me wishing “I will fall with you / like a sinner falls to the sea / I will fall with you / when you fall for me”. Wish, wish, wish! Just…clever and fun and wonderfully sung. (Oops, poetry!)
Waiting At The End Of The World – those opening lines have you thinking…erm, hello! “Her working name was Venus / real name Kate McGill”…OH, she’s a clairvoyant?! (a tarot card reader) Phew! Such groovy and searing guitar work from Charlie. Playful, a little sensual…a bit melancholic…the implication that Venus/Kate is “up all night waiting for the end of the world”. Did she predict it in those tarot cards? Well, some time elapsed from 1983…so she had a long wait.
Neon Cowboys – from the very first time I heard it, I loved it. It really is like no other Simple Minds song. I bring it up occasionally, Jim’s always saying “ooh, I forgot that one?” (He always ends it with a question mark, for some reason – when he says he’s forgotten a particular Minds track) One time he told me that Eddy Duffy had alternative lyrics for it…he’s never shared them. I’d love to know what they are! (He said they were quite rude…didn’t stop him saying “fuck” and “cunt” at several Acoustic gigs though…dirty boy!)
Again…it is just all that “Don’t walk away / I need you to stay with me tonight” and that final “stay with me”…the way Jim delivers it..so softly, with a slight falsetto…it’s just beautiful. It’s just…too tender.
It’s ambiguous otherwise. Littered with lines Jim had not written like for some time…fragmented, ambiguous. Maybe it is why I like it so? Like no other Minds song, musically…but harks back to a writing style Jim perfected in the early 80s “like Muslims in the car wash / like computers in our hands / the neon city cowboys / navigate our land with no plan” – okay…I don’t really know what it all means, but. I love it. It’s classic Kerr. It’s Bowie protégé…except the man is now mentor to others. (Well, he bloody SHOULD be anyways!)
She Knows – Wow, that is one sensual start…that guitar is SEXY! Can I be “she”, please?! Hellfire! Just…I really do find this song so sexy. Not much more I can say on it, really. Love, sex, desire…all there…all summed up by Jim in four minutes. That guitar at the end as well as the start?! Hmmm. Good.
Hello – yeah, that’s the perfect title. Actually, it should always be in capitals like…HELLO! With an exclamation mark! Bang! That opening line “Hello / I can hear the whole world breathing when you sigh” – and Jim’s voice…***melts into a puddle*** and…the end…the end…I mean all of it…but the end lines “Hello / I think I know your name” (you bloody well should…don’t think you know anyone else called Larelle) “Hello / Let’s try to meet again” (Okay, I’m ready for that Tantrum Doughnuts date whenever you are, buddy!)…a few repetitions of the word “hello” – then “Cause I’ m sure our fantasies are quite the same” – SOMEHOW I THINK NOT, MR KERR!!!! I would bloody wish eternally that they WERE…but, no. Sadly not.
Happy Is The Man – the track listing for this album has this bang in the middle of some of the most sensual and downright SEXY songs Simple Minds have ever written. It’s a strange placement…but I love it. Jim fully admits to “nicking it” from brother Mark…and wow, those Kerr brothers singing together have good harmonies. Mark has an incredible falsetto! Not really entirely sure what the song is about…I’m assuming it’s akin to Here Comes The Fool – kind of what it reminds me of in lyrical terms – but it’s bloody cool and I can see why big bro wanted to nick it.
Sleeping – sensual as f*** musically. I love how….meandering it is. “Thought I should come past your door / try to get trusted / initiate more” – is it me, or is it hot in here?
Again, there’s a melancholia…
“Some thieves can rob back their time / but I’m sleeping, sleeping / I escape some more
Some time I’m listening / I can’t hear a thing / Some time I’m up on a cloud
I’m only wishing / I can’t do nothing / reasons to stay underground”
“Sometimes I reach out at the wrong kind of things” – TELL ME ABOUT IT, Jim!
Don’t fight it…better to just sleep it off? Is that the gist of this song? Perhaps not…
“But it’ll take much more.
‘Cause when I’m conscious / I can’t hear a sound”
As you may be able to decipher from this…I get fully immersed…fully absorbed into this album. I absolutely love it. And I find it just SHAMEFUL no record company wanted to touch it, so it was left to Virgin to cash in on it and release it as part of Silver Box.
I do hope in the future it gets a re-release and maybe even a vinyl pressing. It deserves so much to stand alone and not be overlooked.
All hail to Our Secrets Are The Same!
The Simple Minds Twitter account @SimpleMinds1977 (an unofficial, fan run account – that is wonderfully maintained by Shaun Edwards) is currently running “knock out round” polls to find the favourite SM song from each of their studio albums. We’ve reached “Our Secrets Are The Same”.
What a truly overlooked and underrated album it is! A lot of fans think that Cry is the catalyst to the “return to form” (if ever they truly “lost” form for that long?) for the band. NOT FOR ME! It is Our Secrets Are The Same! If ANY album was worthy of a reissue it is this! It is buried within Virgin’s box set release of Silver Box. It needs to see the light of day in its own right!
Please, guys, consider the next reissue to be “Secrets”? It deserves prominence!
Lyric of the day
Album: Our Secrets Are The Same
Year of release: (unofficial) 2000, (official) 2004
Written by: J. Kerr/C. Burchill/K. Hunter
(Erm…Jim, I’m pretty sure our fantasies AREN’T the same! Unless you fantasise about shagging yourself! Lol 😱 😇)